Apple - Mac - iPhone

Intriguing report by Rita Trichur, Grant Robertson, Boyd Erman, and Steve Ladurantaye, For the Globe and Mail:

While the iTV product remains cloaked in secrecy, sources say Cupertino, Calif.-based Apple has approached Rogers and Bell as it actively pursues partnerships with Canadian carriers.

“They’re not closed to doing it with one [company] or doing it with two,” said one source who is familiar with the talks. “They’re looking for a partner. They’re looking for someone with wireless and broadband capabilities.”

Another source, also speaking on the condition of anonymity, said Rogers and Bell already have the product in their labs.

I’ve never heard anything about this before, but if true, it suggests that Apple is approaching this new (or perhaps just updated?) TV product as something akin to the iPhone — with broadband providers playing the role mobile carriers do with the iPhone.

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That didn't take long. Only a few weeks after Apple's iBooks Author app debuted, template publisher Jumsoft began shipping Book Palette (US$2.99), a collection of ten professionally designed templates for iBooks Author.

I had an opportunity to try Book Palette, which is packaged as a Mac app. Once installed from the Mac App Store and launched, the app displays ten textbook templates. To start using a template, you can either select it and click the Open in iBooks Author button, or just double-click the template. In either case, iBooks Author launches and the template opens right up.

If you've modified your own iBooks Author templates before, they're saved in the /Application Support/iBooks Author/Templates/My Templates folder. You can choose to save the templates into that folder so that they appear with all of the rest of the standard templates in the template chooser.

Like the other templates that are included with iBooks Author, Jumsoft provides layouts for textbooks only -- remember, that's the focus for iBooks Author at this point at this point in time. The templates include Biology, Cookery, Decision Making, Dental Hygiene, Environmental Design, Interior Design, IT Strategy, Managing Change, Psychology, and Team Building.

All of the templates include the standard iBooks Author attributes, including a title page, a place for introductory media, a table of contents, and a glossary. The templates also follows the Chapter / Section format of the Apple-provided templates, and pages in a variety of layouts (one, two or three columns, and blank).

Gallery: Jumsoft Book Palette

Of all the templates, I thought that Cookery was probably the most unique and least like a textbook template, but I now fear of a future of poorly written and self-published cookbooks that all look identical.

On the other hand, the Biology and Dental Hygiene templates uses the Chalkduster font for call-outs, an unfortunate design decision that can be fixed by simply changing the font in those areas where it shows up. I also found the use of Didot Italic as the standard text font in the Interior Design template to be a nightmare, as it's hard to read a lot of text in such a flowery font. Most of the other templates were well-designed and very readable, and wouldn't require much (if any) change to create good-looking electronic texts.

Jumsoft plans to release additional templates as app upgrades in the future, so book designers will have plenty of base templates to start with. For those who are currently beginning to work with iBooks Author, Book Palette is an inexpensive way to add to the paltry selection of six templates provided by Apple.

Daily Mac App: Book Palette adds ten new templates to iBooks Author originally appeared on TUAW - The Unofficial Apple Weblog on Tue, 07 Feb 2012 14:00:00 EST. Please see our terms for use of feeds.

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Jim Cramer:

But there was one ad that struck me as the most honest, most riveting and most compelling of all. You see, the game had just ended, and Colts great Raymond Berry ran the Giant gantlet with the Lombardi Trophy. Suddenly it seemed like every other Giant pulled out an Apple iPhone to snap pictures of the moment. One after another after another. And I said to myself, there it is, not some pet dangling a bag of chips or some headlights killing vampires or King Elton getting trapdoored. Nope, there was an ad worthy of Steve Jobs and the company he built.

Screenshots here.

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It's the TUAW Daily Update, your source for Apple news in a convenient audio format. You'll get all the top Apple stories of the day in three to five minutes for a quick review of what's happening in the Apple world.

You can listen to today's Apple stories by clicking the inline player (requires Flash) or the non-Flash link below. To subscribe to the podcast for daily listening through iTunes, click here.

No Flash? Click here to listen.

Daily Update for February 7, 2012 originally appeared on TUAW - The Unofficial Apple Weblog on Tue, 07 Feb 2012 13:30:00 EST. Please see our terms for use of feeds.

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The design wizards at Twelve South have come up with another unique and useful accessory for Apple gear. This time, they're introducing the HoverBar (US$79.99), a mounting clamp and flexible bar that floats an iPad 2 (or several) next to your iMac or Apple monitor.

The HoverBar can be clamped onto the upright of an iMac or Apple display, to a tabletop, or any other surface up to an inch thick. Your iPad 2 sits in a plastic clip that's mounted on a swivel ball so it can be turned to any angle. In the video below, one idle youth taking time out from doing his homework uses the iPad / HoverBar combo as a steering wheel for Real Racing. That's a different use case!

Many people will want to use the HoverBar-mounted iPad as a communications device, displaying email or providing a way to do FaceTime conferencing without the dreaded "nose vision" view. Used with an app like Air Display ($9.99), you can even have a Mac window displayed on your iPad.

We hope to get a HoverBar soon for a full review. Until then, enjoy the video and visit the Twelve South website.

Twelve South HoverBar a unique way to marry iPad and iMac originally appeared on TUAW - The Unofficial Apple Weblog on Tue, 07 Feb 2012 13:00:00 EST. Please see our terms for use of feeds.

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Two years ago, Tristan Schaap joined Apple's Platform Technologies Group as an intern. During his 12-week stint with the Core OS division, he worked on a project to get a piece of Mac OS X running on an ARM processor, says a report by iMore. Most people were not aware of this project until recently, when the Netherland's Delft University of Technology made Schaap's thesis available to the public.

Schaap's project was very specific - he worked with Darwin and ported it to a Marvell ARMv5te processor. Some of the ARMv5 code was present in Darwin and his job was to get it to work in both single-user mode and multi-user mode.

His report doesn't say why Apple assigned him this project, but as OSNews points out, it's possible Apple wanted to test his mettle and introduce him to the company during his 12-week tenure. Technically, Apple couldn't use his code because the project's Marvell ARMv5 processor is not found in any Apple hardware. It even predates the Samsung ARMv6 core which powered the original iPhone. Also, it's highly unlikely Apple would assign an important project like the OS X/ARM port to an intern.

Speculation about an ARM-based MacBook Air gained momentum after Microsoft announced that its new desktop OS, Windows 8, will support ARM hardware. This opens the door to ultra-portable notebooks and tablets with exceptional battery life and all the features of a full desktop OS. Whether this strategy will be successful, remains to be seen as Microsoft's last gamble to bridge tablets and PCs, a project with the codename Origami, failed miserably.

[Via AppleInsider]

Apple intern thesis bears on porting Darwin to ARMv5 chips originally appeared on TUAW - The Unofficial Apple Weblog on Tue, 07 Feb 2012 12:30:00 EST. Please see our terms for use of feeds.

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Apple and the New York City Metropolitan Transportation Authority (MTA) both received criticism last year for a sweetheart deal in which Apple paid less rent per square foot for the Grand Central Terminal retail store space than other tenants in the facility. Well, the deal is starting to pay off for the MTA as expected, since the popularity of the Apple Store at Grand Central Terminal appears to be improving sales for other retailers.

While the trend is based on data from only one nearby restaurant, it's expected that the Apple Store is attracting business to other stores and restaurants in Grand Central Terminal as well. Crain's New York Business says that sales at Michael Jordan's The Steakhouse N.Y.C. have increased by 7 percent in the last seven weeks. A co-owner of the restaurant, Peter Glazier, says the improvement in sales isn't just because Apple displaced another high-end restaurant, Metrazur. "The jump only happened after Apple opened," according to Mr. Glazier.

Apple not only pays less rent than other tenants, but does not contribute to a revenue sharing agreement that most of the other tenants of Grand Central do. The MTA believed that the flagship Apple Store would attract significant numbers of new customers that would benefit the other tenants and the entire facility as well. For every 1 percent increase in sales for the terminal's retailers, the MTA stands to gain $500,000 in rent due to the revenue sharing agreement.

If the experience of Michael Jordan's The Steakhouse is an indication of increased sales across the board, then the Apple agreement will certainly pay off dividends to the MTA.

Apple's Grand Central neighbor sees sales increase originally appeared on TUAW - The Unofficial Apple Weblog on Tue, 07 Feb 2012 12:00:00 EST. Please see our terms for use of feeds.

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Enyo is an application development platform created by HP for webOS. It's open source and based on web standards like JavaScript. Best of all, it can be used to create apps for other platforms like Android and iOS.

The first Enyo-based app for iOS, FlashCards To Go, was unveiled last month when HP announced its timetable for releasing webOS to the open source community. Created by developer James Harris, the iPad title is a full-featured flashcards app that has a strong webOS look and feel. It's available for US$3.99 and works on any iPad running iOS 5. The flash cards app is also available on Android and both a Mac OS X and BlackBerry version are under development as well.

First Enyo app makes the iOS leap originally appeared on TUAW - The Unofficial Apple Weblog on Tue, 07 Feb 2012 11:00:00 EST. Please see our terms for use of feeds.

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One of my favorite navigation apps for the iPhone, Where To?, has been updated to include more pictures, more reviews, and some videos of selected destinations.

Reviews and media are sourced from users and Google. The app features 700 categories of destinations, and more than 2,400 brands (e.g. In-N-Out Burger or Trader Joe's). The app features augmented reality as a US$0.99 option, which uses the camera to superimpose directions over local scenery. The app has added direct links to GPS navigation systems Sygic, Waze, Navmii, Navfree and NAVIGON Urban (German App Store only). The app also supports TomTom, Navigon, MotionX and of course, Google Maps.

This latest version has added support for state National Parks in the US, Canada and Australia. The app itself operates in 10 languages, so it's going to be helpful for users around the globe. I did a drive-around test and found it worked reliably and smoothly. I sent a couple of destinations to my Navigon app, and that worked flawlessly. I think the app is useful in your home town, but really comes into its own when traveling and looking for that special restaurant, hotel, or even the nearest pharmacy or hardware store.

Where To? version 4.1 is a free update for anyone who has version 2 or higher. Owners of version 1.0 will have to buy this latest version if they want the upgrade. The app is $2.99 and the augmented reality feature is another $0.99. Where To? 4.1 requires iOS 4.0 or greater. I've included some screen shots of Where To? in action.

Gallery: Where To? destination finder for iOS

Where To? for iPhone updated with more reviews, pictures, and now videos originally appeared on TUAW - The Unofficial Apple Weblog on Tue, 07 Feb 2012 10:00:00 EST. Please see our terms for use of feeds.

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Puzzlejuice adds all kinds of bells, whistles and fun to the "word game" genre. The equally excellent 7 Little Words (free) goes in the opposite direction, boiling wordplay down to its core. It offers just seven words and a series of letters (in groups of two or three at a time) to spell them with.

7 Little Words is one of those games that's super easy to play but fiendishly difficult to master. There are 50 puzzles in each of the game's pack (each with their own set of seven words and grid of letters to choose from), and you have to make guesses for each word from clues like "bunny food" (CA-RR-OTS), or "make dirty" (SO-IL).

It's a "pure" experience, in that there's no timer, no extra points...no points at all, in fact. It's just you, some letters, and the words you need to make with them. 7 Little Words a very "Zen" experience, yet there's a lot of pleasure to be had in sitting down, thinking hard, and hopefully coming up with the words you need.

The game comes with 50 puzzles, and extra packs can be bought for 99 cents each (more have been added since we last looked at 7 Little Words, as well as a new shuffle option). If you like crossword puzzles or just word puzzles at all, 7 Little Words is worth the download for sure. It might frustrate you a little bit (seriously, some of the puzzles will have you forehead slapping when you finally figure them out), but most word game fans like a good challenge anyway.

Daily iPhone App: 7 Little Words will cast a spell on you originally appeared on TUAW - The Unofficial Apple Weblog on Tue, 07 Feb 2012 09:00:00 EST. Please see our terms for use of feeds.

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In a Monday afternoon briefing, Stephen Wolfram spoke about the direction of Siri and Wolfram Alpha integration. He explained that over time, the range of queries that users can ask Siri that are served by Wolfram Alpha continues to get broader. This is apparently a natural byproduct of using a cloud-based system with the Siri API.

Wolfram stated that Siri queries are generally easy for the service to process. "Spoken queries [have] a different character from typed queries," he explained. "People are a lot less lazy in what they say than what they type." When users type, they put things into a natural shorthand. In spoken requests, they naturally fill in those missing pieces.

The verbal noise likes "ums" and "ahs" are apparently easy to remove, while the extra spoken context words allow better translation to Alpha queries.

Wolfram said he looks forward to deeper and broader developments with Siri.

Stephen Wolfram on Siri originally appeared on TUAW - The Unofficial Apple Weblog on Tue, 07 Feb 2012 08:30:00 EST. Please see our terms for use of feeds.

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Soon after the 10.7.3 update to OS X Lion, people started finding subtle differences in the pointer icons for OS X (hat tip to Daring Fireball). Specifically, the link, grab, copy, and screenshot pointers have all been updated with slightly new iterations for the first time since OS X 10.2, released in 2002.

The link pointer features a slightly angled index finger rather than the traditional straight finger that's been a staple of the icon since even before OS X, and the grab pointer has been updated to more closely match the "Mickey Mouse glove" appearance of the link pointer. The copy pointer features a more pronounced green gradient beneath the "+" symbol. The old pseudo-SLR camera icon for the screenshot pointer, which comes up after hitting Command + Shift + 4 and then tapping the spacebar, has been replaced with an icon that matches the icon for the Image Capture application.

Old icon, new icon, Image Capture app icon

Apple has also updated all icons with high resolution versions for Universal Access purposes, so the pointers no longer look badly pixellated when super-sized via the Universal Access settings in System Preferences.

Beware of comically large pointer

"The simplest explanation is that Apple only just now got around to increasing the resolution of these elements for the benefit of users who use the cursor-zooming Universal Access feature," says Daring Fireball's John Gruber. Indeed, these OS X pointer icons hadn't been updated in nearly ten years. Gruber further speculates that this may be an initial step toward higher resolution "Retina Display" Macs, though he admits that we should "take my conjecture here with a grain of wishful-thinking salt."

Many blogs must have skipped that last sentence, because overnight speculation over possible "Retina Display Macs" has been rampant since the updated pointers gained wider attention. But the simplest explanation that Gruber himself cites is the best one; the pointer icons are a very minor detail in OS X and a feature that remained completely static for close to a decade without anyone noticing or complaining. The updated icons aren't terribly likely to have anything to do with forthcoming updated hardware.

OS X 10.7.3 includes new high-res pointer icons, rampant speculation ensues originally appeared on TUAW - The Unofficial Apple Weblog on Tue, 07 Feb 2012 08:00:00 EST. Please see our terms for use of feeds.

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Apple has issued a reminder to developers that it will not tolerate use of third party services to manipulate app rankings in the App Store. "When you promote your app, you should avoid using services that advertise or guarantee top placement in App Store charts," the reminder states. "Even if you are not personally engaged in manipulating App Store chart rankings or user reviews, employing services that do so on your behalf may result in the loss of your Apple Developer Program membership."

This reminder could very well be in response to a well-trafficked post in Touch Arcade where an iOS developer revealed that an ad network guaranteed his app placement in the top 25 apps in exchange for $5000. This third-party service allegedly employs bots to automatically download the targeted app multiple times, automatically increasing the app's ranking and granting the app greater exposure to potential human downloaders.

8 of the top 25 apps were allegedly developed by clients of this bot service. If true, this represents a serious problem to the legitimacy of App Store rankings, and it's therefore no wonder that Apple is reminding developers of its aggressive stance on the issue.

Apple warns of crackdown on App Store rankings manipulation originally appeared on TUAW - The Unofficial Apple Weblog on Mon, 06 Feb 2012 22:30:00 EST. Please see our terms for use of feeds.

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If you're looking for coverage of working conditions at Foxconn and other Apple manufacturing partners, there's plenty to go around. The drumbeat of sharply critical stories continued today with CNN's interview of a Foxconn worker; this follows a scathing New York Times story from late January that explores the gulf between electronics companies' best intentions regarding working conditions at contract facilities, and the incessant pressure to innovate and squeeze costs out of the process.

Fairness, though, requires a few reminders. There's social and political argument over the ultimate value of sweatshop labor conditions in developing countries, with the pro-sweatshop side citing enormous economic benefits for countries that can capitalize on an inexpensive and inexhaustible labor force. Even if you buy the hypothesis that cheap labor isn't necessarily good for China, it's true that Apple isn't the only Foxconn client by a long shot, and the electronics manufacturing sector may actually be one of the brighter lights for worker's rights in China. Nevertheless, the company's high-profile and highly profitable products combined with its longstanding penchant for product secrecy have made it a lightning rod for "Applerousing" activism and anger.

Apple CEO Tim Cook, the man most responsible for assembling Apple's supply chain into a strategic advantage for the company, reportedly sent a very strongly worded email to all Apple hands, noting that "any suggestion that we don't care [about the welfare of workers in our supply chain] is patently false and offensive to us.... accusations like these are contrary to our values. It's not who we are." In addition to the company's annual Supplier Responsibility Reports and auditing programs, Apple has recently taken another couple of steps that put it out in front of other consumer electronics firms; it released its supplier list for the first time, and it's the first sector company to join the Fair Labor Association. These changes should, in theory, make it easier for third parties to look into workplace issues within the Apple supplier universe.

You can get a very different take on the relative impact of Apple's policies, and the human cost of making insanely great products for entirely sane prices, by spending an evening at the Public Theater in New York City with monologuist Mike Daisey watching The Agony and the Ecstasy of Steve Jobs. Be warned, however, that it is not so easy to leave the show with the same nonchalance about Apple's products and their origins as you might have when you arrive.

The first thing that audience members will notice as they take their seats before the start of The Agony and the Ecstasy of Steve Jobs is the cubical and spare set. With rectangular frames in a back LED wall and a glass/chrome desk atop a glass platform, there's a definite echo of a familiar retail aesthetic; it's as if the designer was instructed "Make it look a little like an Apple Store, but don't spend much."

The mood is also evoked, carefully, with sound. The music playing before the show includes both the OS X Leopard post-installation track "Exodus Honey" and Jonathan Coulton's geek anthem "Skullcrusher Mountain." Coulton's song even gets a nod during the monologue itself, when Daisey refers to Apple as a company full of "mad geniuses" who, after Steve's involuntary departure in the 1980s, could finally realize their plans to combine a monkey with a pony.

The next thought, as the show begins: Mike Daisey is a large, loud, sweaty dude who sits in a chair and talks at you for two hours. Although this may sound like a rough session of detention with an angry phys ed teacher, or an afternoon with your conspiracy theory-obsessed uncle, the performance Daisey delivers is heartfelt, intelligent and ultimately completely watchable. His show, which was excerpted on the January 6 episode of the public radio program This American Life, recounts both his decades-long fascination with Apple, including the unforgettable arc of the late co-founder Jobs, and also Daisey's half-cocked but surprisingly effective gonzo investigation of labor conditions at Foxconn and other electronics manufacturing contractors in the Chinese city of Shenzhen.

Referring to his handwritten notes as he goes -- the performance is extemporaneous, so there is no canonical scripted text and the narrative has evolved over the 18 months that the show has been touring -- Daisey wants to make one thing abundantly clear. If you cut him, he would bleed six colors. To establish his bona fides as a true member of the Apple faithful for a civilian audience, he claims that sometimes after a show he relaxes by "field-stripping my MacBook Pro into its 43 component parts," cleaning each one before reassembling the laptop. "It soothes me," he purrs, stroking his chest with his fingers.

While I don't know that many Mac geeks who relax by taking apart their MBPs, it's evident from Daisey's frequent, coherent technical asides that he isn't putting on airs (or Airs). His heartfelt memories of his family's first computer (an Apple IIc, considered so pricey that it merited its own "computer room") will resonate for plenty of TUAW readers of a certain age. I may have been the only audience member who involuntarily nodded and muttered "yes, of course" when Daisey shared his favorite Mac of all time, but that was only because his choice, the compact yet powerful (for its day) SE/30, was so obviously right.

It's Daisey's love for all things Apple that makes his perception of the company's fall from grace all the more stinging. Starting with the inadvertent leak of several testing photos taken on the iPhone assembly line, Daisey's curiosity about the process and the people behind Apple's products drove him to research the circumstances of where all our stuff comes from.

In 2010, Daisey traveled to southern China and literally drove up to the gates of the massive Foxconn plant in an effort to talk to production line workers; he was in country shortly after the cluster of Foxconn employee suicides and during the incident when a Foxconn employee died of exhaustion after a multi-day workshift. He posed as an American industrialist to gain access to other companies' facilities (including dormitories with beds crammed to the ceiling), and also met with labor rights activists and workers who, despite enormous legal and personal risks, have tried to form labor unions in Chinese factories.

Daisey's recounting of his conversations with these workers is sometimes poignant and often shocking. He met laborers exposed to the neurotoxic solvent n-hexane (now banned from Apple's supply chain, but originally used as an iPhone screen cleaner) who now shake so badly they cannot hold a teacup. He spoke with underage workers outside the plant gates, although follow-up investigations by This American Life indicated that the hiring of minors is far less prevalent than it once was and that Foxconn is relatively well-positioned on that score (some independent organizations dispute this, noting that audits are easy to deceive). Daisey's own translator wonders if all these people can possibly have been through what they say, expressing shock that so many tell the same stories of mistreatment, forced/unpaid overtime and bad working conditions.

As Daisey has performed this piece around the country over the past two years, he might have been considered a lonely voice in the wilderness. (TUAW interviewed Daisey at Macworld Expo 2011, while he was performing the show in Berkeley, CA.) Circumstances have changed quite a bit since he began, however. The radio broadcast was a turning point in the show's reception, according to a flyer handed out by ushers after the performance; it was the most downloaded episode in TAL's history and, Daisey's flyer claims, was heard by many Apple employees and their families. This created what Daisey's sources call "a morale situation" within the company, and he asserts that this internal circumstance was a factor in Apple's subsequent decision to join the FLA and open its supply chain to additional scrutiny.

It may not be as simple as Daisey wishes for Apple to effectively address the condition of a massive Chinese labor force that, in the final analysis, does not actually work for the Cupertino company. His suggestion of a 'dividend for change,' where Apple would directly invest five billion dollars of its cash reserves into the supply chain, would certainly be worthy of a company founded by a Zen-loving college dropout who urged customers to think different -- but it's surpassingly unlikely. Still, public awareness and action on the question of humane labor overseas (whether contracted by Apple, HP, Asus, Sony or any other company) will make a difference in the months and years to come. As Daisey says in his online response to Apple's recent moves toward further supply chain glasnost:

If Apple would spend less energy finessing its public image, and instead apply its efforts to real transparency and accountability, it could be a true leader for the electronics industry. Apple today is still saying what it said yesterday: trust us, we know best, there's nothing to worry about. They have not earned the trust they are asking for."

Mike Daisey's monologue The Agony and The Ecstasy of Steve Jobs continues through March 4, 2012 at New York City's Public Theater. The show runs approximately two hours and is performed without an intermission. Tickets and information: http://www.publictheater.org

Mike Daisey's "The Agony and The Ecstasy of Steve Jobs" is funny, forceful agitprop originally appeared on TUAW - The Unofficial Apple Weblog on Mon, 06 Feb 2012 21:00:00 EST. Please see our terms for use of feeds.

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I first saw Monster Wars a little while ago at Macworld as Liv Games was just publishing it, but the title has been out for a little while now and I've had a little longer to play with it. Monster Wars is not only another huge content pack for Legendary Wars, with tons of new stages, modes and units to play with, but it is a nice iteration on the series as a whole, with a lot of subtle but solid improvements to the gameplay.

Unit animations are generally better across the board, and the controls work basically the same. I still sometimes have trouble keeping track of which heroes I'm controlling and which lanes they are supposed to be in. The UI is much improved. The pacing of the game shows that Liv Games has learned quite a bit about how to move players from level to level. The new modes add quite a bit to the game, which was likely a tough task considering how much variety was already there.

If you loved Legendary Wars, you've probably already grabbed this one. But even if you've never heard of Legendary Wars, Monster Wars is a steal at 99 cents. New players might be slightly overwhelmed by what's going on in the new title, but Liv Games has made two really spectacular titles here.They really shouldn't be missed, especially on the iPad.

Daily iPad App: Monster Wars is a great addition to Legendary Wars series originally appeared on TUAW - The Unofficial Apple Weblog on Mon, 06 Feb 2012 20:00:00 EST. Please see our terms for use of feeds.

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Anime News Network did an in-depth comparison of reading manga on an iPad vs. a Nook Color today, after Viz Media sent them both devices so they could do a hands-on look at making the digital jump. After taking a hit from the closing of Borders, Viz decided to turn its popular Shonen Jump publication into a digital-only product. Launched in January, Weekly Shonen Jump Alpha is $25.99 for an annual subscription, with three of its flagship series -- One Piece, Bleach and Naruto -- now running almost concurrent with the Japanese release. Individual issues can be rented for 99 cents for a 4-week period.

The results aren't surprising. By holding up a volume of manga next to an iPad, it shows that the iPad is right about the same size as a manga volume and the experience is just as good as reading a print book. What the article does highlight is the problems that the Nook Color has with Viz's products, especially when it comes to things such as double-page spreads. It doesn't touch on the Kindle Fire, however, since Viz hasn't ported its app out to it yet. As expected, the big drawback to the iPad is the price. While manga sold via Viz's iPad app is cheaper than the print volumes, the price of an iPad would be the barrier preventing teens from completely making that digital jump Viz wants them to make.

We originally looked at the Viz app in 2010, and we were pretty pleased with its offerings then. If you haven't considered a digital transition of your manga and comics yet, the ANN article is a good way to see if you'd want to do so. While I still prefer buying print graphic novels, my comic-buying habits are a mix of supporting my favorite local comic shop and buying digital manga through Comixology and Viz -- the latter being excellent for long series that take up a ton of shelf space.

The pros and cons of making a digital jump with comics originally appeared on TUAW - The Unofficial Apple Weblog on Mon, 06 Feb 2012 19:00:00 EST. Please see our terms for use of feeds.

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Stick with us on this one -- it seems unlikely, but this case could have some wider consequences. Last year, Apple filed a lawsuit against a company named Proview Technology Shenzen in China. It was pretty common by Apple's standards: The company was using the name iPad, and Apple was trying to keep them from doing so.

While this was all going on, Proview Taiwan (only loosely affiliated with the Shenzen division) sold the trademark to "iPad" in China to a UK-based company named Application Development, which then sold it right back to Apple. All of this would normally be fine and dandy except for one thing: Apple lost the original lawsuit that was supposed to prevent Proview Shenzen from using the name.

As a result, Proview Shenzen is arguing that it still retains the rights to the "iPad" name on the Chinese mainland, and Apple may be fined as much as 2.4 billion yuan ($380 million US). Obviously, this is a tangled legal issue, and I'm sure Apple still has options in the fight before they need to cough up the fine. But there's obviously something here that needs to be worked out, and if it isn't in time, Apple could be prohibited from selling or marketing its tablet under the name "iPad" in China.

[via Gizmodo]

Apple could be forced to stop selling "iPads" in China originally appeared on TUAW - The Unofficial Apple Weblog on Mon, 06 Feb 2012 18:30:00 EST. Please see our terms for use of feeds.

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I've talked quite a bit before about the growing "second screen" phenomenon, where iPads and other mobile devices are used as a second screen while either working on another computer or watching television. And with the biggest event on television yesterday, there was likely a lot of "second screen" viewing going around. ZDNet's James Kendrick says his was one of three iPads around the coffee table at his Super Bowl party, and with tens of thousands of tweets per second going out during the most interesting parts of the game, Kendrick's experience was undoubtedly not unique.

Car maker Chevrolet actually participated in the event with the Chevy Game Time app, which not only posted ads available on the iPad the second they went live on the TV, but also offered up contests and more interactivity during the show. And the NFL and NBC famously streamed the whole event live on the Internet for the first time this year -- while I didn't get a chance to pull the game up myself yesterday, I heard a few people say that it was in fact available to stream on the iPad. The commercials weren't available on the stream, though, so it'll probably be a few years before people learn the stream is out there, and before it becomes a better substitute for the TV experience.

Still, the Super Bowl certainly showed off a few major trends that we're seeing in entertainment consumption lately. Apple's devices especially are providing ways for both consumers and brands to interact and extend the "watching" experience, even outside of a standard TV broadcast.

iPads invade Super Bowl parties originally appeared on TUAW - The Unofficial Apple Weblog on Mon, 06 Feb 2012 18:00:00 EST. Please see our terms for use of feeds.

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RIM's star just sank a bit closer to the horizon. Halliburton, a household name in the energy industry and once a BlackBerry bastion, is dumping RIM's platform and switching to iOS. The company once relied heavily on RIM's platform, but after evaluating RIM, Windows Phone, Android, and iOS, Halliburton has settled on switching to Apple's platform.

"Over the next year, we will begin expanding the use of our mobile technology by transitioning from the BlackBerry (RIM) platform that we currently use to smartphone technology via the iPhone," the company said. Halliburton representatives confirmed to AppleInsider that only 4500 of the company's 70,000 employees still use BlackBerry devices, so the transition probably won't take as long as it might have a few years ago.

According to AppleInsider's sources, Halliburton actively engaged with Apple in its transition. Halliburton is far from the first company to do so; Clorox ditched the BlackBerry last year, and 92 percent of its employees replaced it with an iPhone.

RIM's platform was once synonymous with business communications, but that status has slowly eroded since the iPhone's introduction. While corporate IT spent the first few years after the iPhone's introduction scoffing at the device, quarterly reports from analysis firms like Good Technology show that iOS has penetrated enterprise markets in a way that even the stodgiest of companies can no longer afford to ignore.

Halliburton dumping BlackBerry, switching to iOS originally appeared on TUAW - The Unofficial Apple Weblog on Mon, 06 Feb 2012 17:00:00 EST. Please see our terms for use of feeds.

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Have you noticed that Safari’s hovering-over-a-link pointing-finger cursor looks a little different in Mac OS X 10.7.3? It’s not just that the finger is at a slightly different angle — it’s a new UI resource that scales gracefully to larger sizes. That’s not the only new high-DPI image resource in 10.7.3: the grabby hand in Mail, the camera cursor for selecting an individual window to take a screenshot of, and a few other UI elements got the high-DPI treatment in 10.7.3.

The simplest explanation is that Apple only just now got around to increasing the resolution of these elements for the benefit of users who use the cursor-zooming Universal Access feature. But, combined with the fact that some people with Mac Minis connected to TVs via HDMI are reporting that after upgrading to 10.7.3, their system rebooted in HiDPI mode, I can’t help but wonder whether we may be on the cusp of Apple releasing HiDPI Mac displays and/or HiDPI MacBooks. I.e.: retina display Macs.

I’ve been anticipating super-high-resolution Mac displays for over five years, so take my conjecture here with a grain of wishful-thinking salt.

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